J. P. Moore's Blog

Book III, Chapter V now available!

Chapter V is here! Toothless receives a valuable gift, but not without a fight. Subscribe through iTunes or visit Podiobooks.com!

Book III, Chapter IV--the Martyrs' Crusade begins!

Chapter IV sets sail ... The Martyrs' Crusade begins! Download the latest at iTunes or at Podiobooks.com!

Behold!

Scott Purdy, an incredibly talented illustrator from the UK, has given us our first glimpse of the world of Toothless. And it's spot on.

 

The Spriggan

Full Size

The imps were no taller than a man's knees. They waved long, awkward arms and had bulging eyes without pupils. They scurried in packs over the battlefield, their noses to the air and their pointed ears against the earth. This was their role, to find and harvest the dead, to carry them to the Yew.

 

The Yew

Full Size


The Yew's roots spilled from the sides of the cart and shot through the ground in all directions. Its needles and branches breathed. Deep within its canopy, a greenish orange light shone, the phosphorescence of insects lured from subterranean darkness to feed on the black tar that seeped through the cracks in its bark. The creaking of the massive wheels, the marching of the dead, the sighs of the branches--this was the melody of the victor's symphony.

Amazing work, Mr. Purdy. Simply amazing.


Images © 2009 by Scott Purdy.

Book III, Chapter III is here!

Chapter III is here! Toothless reaches a fork in the road, and must choose a path. Download the latest at iTunes or at Podiobooks.com!

Chapter IV will be a bit delayed, next week. I'll be away.

Book III, Chapter II lands!

Toothless' saga continues as he embarks on the Martyrs' Crusade. Subscribe through iTunes or visit Podiobooks.com.

PodioRacket interview!

Check out the PodioRacket interview! Visit PodioRacket to download or subscribe. Thanks, Heather and Rhonda!

Book III, Chapter I is out!

Book III begins! Download the latest at iTunes or at Podiobooks.com!

Metaphors for Writing (and Reading)

Someone recently asked about the role of metaphor in my writing. At least that's what I thought they were asking, and launched into a long thing about setting as character (with metaphor providing the depth), etc., etc.

I'd misunderstood. The question was meant to discover if I had a metaphor to describe my process of writing.

I flubbed an answer. Climbing a mountain, or something silly like that.

Reflecting since, though, I realize that there is one. There's always been one. I've always imagined combing strands. Hair. Threads. Something like that. I get a tangled pile of them, and I comb them straight. It describes the process perfectly for me, since that tangled pile tends to be a mess of little bits of whatever I'm reading, thinking about, etc., at the time. Sometimes, there's weaving involved. Patterns and colors. I don't see the machinery, just a portion of the product still hanging from the loom. (It's a loom, right?)

It all got me wondering, though, if I have a metaphor for the reading that I do. A lot of it is enjoyment, but some of it is definitely looking for those little bits, those little threads. Harvesting the little stigma of saffron, maybe?

Please share your metaphors.

Toothless, Book II, Chapter VIII now available!

Book II ends on a question rather than an answer. Book III will begin after a short vacation. Stay tuned!

Download the latest at iTunes or at Podiobooks.com!

The Zombie Metaphor

I recently had a run in with Frankenstein. The book, that is. "It's a zombie book," I realized. On one level, though, Shelley was asking questions about humanity's place and responsibilities.

Zombies, of course, are a thing right now. Frankenstein had me asking why. Do zombies say something (other than baleful moaning) about where we are? Maybe that's overthinking it. Maybe they're just a fad. But I work with adolescents. The most disaffected of them, the nihilists wearing black, are passing around mp3's of World War Z like prior decades' youth shared beaten copies of, I dunno, A Clockwork Orange.

I then found the Zombie metaphor. Rather, it found me. I couldn't, for the life of me, remember which Romero film had come first--Night or Dawn--and went a' Googlin'. Melin's article popped up.

The premise: zombies are our "baser selves." They mindlessly consume. At the same time, they are judgment. They are the distressed and dispossessed, the abused, perhaps even the proletariat. They overpower the upper crusties with their sheer numbers.

Failing economy. Decaying environment. War.

Are zombies just a fad?

Maybe, maybe not.